Music: Dissertations
2006 - 2005 - 2004 - 2003 - 2002 - 2001 - 2000 - 1999 - 1998 - 1997 - 1996 - 1995 - 1994 - 1993 - 1992
2006 DISSERTATIONS
Minks, Amanda (2006) Interculturality in play and performance : Miskitu children's expressive practices on the Caribbean coast of Nicaragua
Moshaver, Maryam A. (2006) The motivation of form : the poetics of music theory and the writings of Moritz Hauptmann
Novak, David (2006) Japan noise : global media circulation and the transpacific circuits of experimental music
Pace, Elisabeth Kotzakidou (2006) Ut dialectica musica : artificial and natural category structures in musical treatises of the German Renaissance
Poirel, Annalisa Swig (2006) New music in old clothes : Tinctoris, Glarean, and the creation of a renaissance in music
2005 DISSERTATIONS
Burford, Mark Jon (2005) The real idealism of history : historical consciousness, commemoration, and Johannes Brahms's "years of study"
Feld, Marlon (2005) Temporal orientation in sonata-form first groups : with special reference to the work of A. B. Marx
Helbig, Adriana Nadia (2005) "Play for me, old gypsy" : music as political resource in the Roma rights movement in Ukraine
Oakes, Jason Lee (2005) Losers, punks and queers (and Elvii too) : identification and "identity" at New York City music tribute events
Wong, Cynthia P. (2005) Lost lambs : rock, gender, authenticity, and a generational response to modernity in the People's Republic of China
Yoon, Paul Jong-Chul (2005) Christian identity, ethnic identity : music making and prayer practices among 1.5- and second-generation Korean-American Christians
2004 DISSERTATIONS
Ito, John Paul (2004) Impulse structure in tonal music : a theory of the metrical coordination of motor behavior in performers
Longobardi, Ruth Sara (2004) Models and modes of musical representation in Benjamin Britten's Death in Venice : musical, historical, and ideological contexts
Ribeiro-Pereira, José Miguel (2004) A theory of harmonic modulation : the plastic model of tonal syntax and the major-minor key system
2003 DISSERTATIONS
Kim, Youn (2003) Theories of musical hearing, 1863-1931 : Helmholtz, Stumpf, Riemann and Kurth in historical context
Laugesen, Emily Snyder (2003) Construing text as music in Berio's Thema (Omaggio a Joyce) and Stockhausen's Stimmung
2002 DISSERTATIONS
Hurwitz, Celia Elizabeth (2002) Tonality and form in the first movements of Britten's string quartets opp. 25 and 36
Leet, Gregory Nicholas (2002) The compositional history, critical reception and musical style of Nikolay Rimsky-Korsakov's Servilia and Pan Voyevoda
Willoughby, Heather Alane (2002) The sound of Han : pʻansori, timbre, and a South Korean discourse of sorrow and lament
2001 DISSERTATIONS
Côrte-Real, Maria de São José (2001) Cultural policy and musical expression in Lisbon in the transition from dictatorship to democracy (1960s-1980s)
Currie, James Robert (2001) Disagreeable pleasures : negotiating fugal counterpoint in classical instrumental music
Scherzinger, Martin Rudolph (2001) Musical formalism as radical political critique : from European modernism to African spirit possession
Urista, Diane (2001) Embodying music theory : image schemas as sources for musical concepts and analysis and as tools for expressive performance
2000 DISSERTATIONS
1999 DISSERTATIONS
Lodato, Suzanne Marie (1999) Richard Strauss and the modernists : a contextual study of Strauss's fin-de-siècle song style
Nonken, Marilyn (1999) An ecological approach to music perception : stimulus-driven listening and the complexity repertoire
Von Der Linn, Michael Edward (1999) Degeneration, neoclassicism, and the Weimar-era music of Hindemith, Krenek, and Weill
1998 DISSERTATIONS
DeMarco, Laura Elizabeth (1998) Rossini and the emergence of dramatic male roles in Italian and French opera
Jackson, Travis Arnell (1998) Performance and musical meaning : analyzing "jazz" on the new New York scene
Magalhães, Luiz Cezar Marques (1998) From peasant to Indian : a study of the Toré ritual songs and the re-creation of tradition in a Brazilian Indian community
Wang, Yuh-wen (1998) Value judgment and musical explanation : their roles in selected writings of Edward T. Cone
1997 DISSERTATIONS
Doğantan, Mine (1997) Mathis Lussy's theory of rhythm as a basis for a theory of expressive performance
Kavallaris, Faidros (1997) Enallax -- parallel γ' : for lead percussion solo, two violoncellos and multiple duet (e.g. 4 woodwinds and 4 corresponding brass)
1996 DISSERTATIONS
Jackson, Larisa Petrushkevich (1996) Modulation and tonal space in the Practical manual of harmony : Rimsky-Korsakov's harmonic theory and its historical antecedents
Mooney, Michael Kevin (1996) The "Table of relations" and music psychology in Hugo Riemann's harmonic theory
Painter, Karen (1996) The aesthetics of the listener : new conceptions of musical meaning, timbre, and form in the early reception of Mahler's Symphonies 5-7
1995 DISSERTATIONS
Blachly, Alexander (1995) Mensuration and tempo in 15th-century music : cut signatures in theory and practice
1994 DISSERTATIONS
Monroe, Mary (1994) From "English vein" to "Italian notes" : the stylistic evolution of Purcell's chamber music for strings
Murphy, John P. (1994) Performing a moral vision : an ethnography of Cavalo-Marinho, a Brazilian music drama
Powers, Wendy Jane (1994) The music manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence : a study in the changing role of the chanson in late fifteenth-century Florence
Yeung, Angela Chiu-Wah (1994) A study of late seventeenth-century compositional practice : the Sonate da chiesa (opus 6) of G.M. Bononcini
1993 DISSERTATIONS
Kelleher, John Emil (1993) Zarlino's Dimostrationi harmoniche and demonstrative methodologies in the sixteenth century
Lee, Joanna Ching-Yun (1993) Gyorgy Ligeti's "Aventures" and "Nouvelles Aventures" : a documentary history.
1992 DISSERTATIONS
Gibbs, Christopher Howard (1992) The presence of Erlkönig : reception and reworkings of a Schubert Lied